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October (Ten Days that Shook the World)(Movie), The General Line(Movie), Battleship Potemkin(Movie), Ivan the Terrible, Part I(Movie), The Last Laugh(Movie), La Roue(Movie), Mother(Movie), Greed(Movie), Storm Over Asia(Movie), Napoleon(Movie), The Docks of New York(Movie), The Big Parade(Movie)
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[65] it's not difficult to understand strike's cinematic importance. soviet editing in the silent era consistently manages to be some of the best, most singular i've ever seen. the storytelling it can take on takes a weight off the script's shoulders, while also delivering a unique exercise in conveying its primal, political themes. the way eisenstein portrays the fight of collectivism against individualism is near-perfect if not for a few scenes and segments that can put an anchor on its pacing. strike is a film that can strike a chord with any audience member. a triumph in read
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