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[77]
the inspiration lopushanksy draws from tarkovsky is abrasively apparent when watching. the apocalyptic setting, the philosophical dialogue, and the desolate production design are all trademark aspects from stalker — the film lopushansky worked on — that are executed competently, yet admittedly lackluster in comparison.
where lopushansky manages to differentiate himself is the way he delivers a certain mood and tone within his jarring editing, whereas tarkovsky will typically play the themes a lot more straight-faced. multiple editing segments have emotional power behind it that you couldn't find anywhere else.
dead man's letters is a somewhat derivative film that manages to differentiate itself and flesh out its heart with the help of its editing and commentary.
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