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film #12 of hooptober 4.0: revenge of the hoopmarebito is a hell of a viewing experience. takashi shimizu's weird, voyeuristic vampire film is replete with lovecraftian and hollow earth concepts, featuring strong performances from shinya tsukamoto as cameraman masuoko and tomomi miyashita as f, the girl he discovers in a world beneath tokyo. the two have an odd chemistry that works against each other and miyashita is particular is entrancing, projecting a sort of otherworldly naivety that shimizu frames well.
shimizu does some good work here in his filming techniques, evoking a stream dreamlike quality. he keeps the viewer guessing as to whether what we're seeing is real. ominous figures drift in and out of the film at times, issuing dark warnings or throwing accusations at masuoko. several concepts and plot elements are thrown around, with varying levels of importance to the story. it isn't the most cohesive film, but then it doesn't seem to be trying for that. all in all, marebito works more than it fails and is worth seeing for those who like unconventional horror.
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