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It's hard to believe that Shaun The Sheep is only Aardman's fourth stop motion feature film. The studio initially made its name in the UK with short films in the 70s and 80s such as Creature Comforts, but it was with the release of the first Wallace and Gromit short in 1990 that they truly seared themselves into the fabric of British cultural identity. And in the 25 years since, they've embodied a kind of effortless ubiquity that easily overcomes their relatively sparse output. Aardman is the closest equivalent the UK has to Studio Ghibli, in many ways a remnant of times gone by, desperately carrying the torch for a style of animation that is beloved and resonant, whose flame should long since have flickered out.
Going in, the signs were not exactly pointing in the right direction. A spin-off of a spin-off, the movie is the big screen outing of the popular Kids TV show, for which the target audience skews far younger than Aardmans earlier family efforts. Combined with a lackluster marketing push and the fact that the film hasnt even been picked up for distribution in the USA, I went into the movie with a quiet apprehension that Aardmans creative glory days had passed, and the studio was ready to go softly into that good night.
Much to my delight, I walked out of the cinema with a massive smile on my face and more than a single tear in my eye. The movie's target audience may skew young, but Shaun The... (more)
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