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quick hit: despite the best efforts of the cast, the latest take on ben-hur only comes alive under timor bekmambetov when it's time for the big action and visual effects spectacles. the drama in this long-beloved story, typically its greatest strength, is largely inert in the script by keith clarke and john ridley, and bekmambetov doesn't do anything with these sequences that makes them stand out. the chariot scene is fantastic and other scenes pop when it's time for what bekmambetov does best, but otherwise this is a disappointing film that should have been much, much better.
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