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Only God Forgives
2013
Valhalla Rising
2009
Suspiria
2018
Climax
2018
Too Old to Die Young
2019
0/10 Raw
2016
Pusher 3
2005
Pusher
1996
Bleeder
1999
Copenhagen Cowboy
2023
0/6 Bronson
2008
Touch of Crude
2022
Only God Forgives(Movie)Valhalla Rising(Movie)Suspiria(Movie)Climax(Movie)Too Old to Die Young(Anime)Raw(Movie)Pusher 3(Movie)Pusher(Movie)Bleeder(Movie)Copenhagen Cowboy(Anime)Bronson(Movie)Touch of Crude(Movie)
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wat. jajaja, no, sinceramente, sentí mucho poder proveniente de todo lo que vi, pero no estoy seguro de haber comprendido al 100% esta movie. ¿supongo que son las amenazas de la vida glamorosa del modejale? me gustaron muchas de las imágenes, como el bautizo en oro, la deificación/demonización en la primera pasarela y su respectiva "teofagia" cerca del final. ¿qué le pasó a ruby? ¿se murió o solo es la "sacerdotisa" que sobrelleva los rituales? bueno, ya buscaré por ahí lo que no caché. fuerte! no creo volverla a ver, me impresionó bastante jajaja. read
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this was very creepy to watch, it made me anxious and disturbed. the soundtrack is awesome! read
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esta reseña es corta. visuales: todo bellísimo, despampanante y hermoso. sonido: cumple, no destaca demasiado, todo bien. narrativa: ¿cuál? en estética todo bonito, pero en fondo es una basura. tenía unas expectativas relativamente altas, pero esa no es la razón de mi nota. 57 / 100 read
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i don't understand what just happened in this film read
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very much not what the trailers presented, but still very visually arresting. i've seen it described - negatively - as a mix of mulholland drive and suspiria and/or starry eyes; again, the movie does not live up to what that could have been. it is very straight-forward, but with some sudden leaps (in characterization, basically) and some surreal scenes that don't seem to have a purpose in the story. the message is clear though, on the nose even, and not particularly insightful. there are none of the layers, mystery and mind fuckery of mulholland drive. despite the visual flair and the read
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representación en la que las cosas tienen un significado simbólico, es la definición de alegoría. justo lo que hace nicolas winding refn con esta cinta del mundo de la moda. modelos caníbales, deseo lésbico, envidias, escaladas al poder, personalidades perdidas, competencia generacional... fotografía preciosista típica de su director en el que cada plano es una escultura de luces. los planos se alargan y se alejan a un ritmo tan lento que te emborracha y encierra en un prisma que deforma la realidad. una vez más, nicolas winding refn se apoya en su actor protagonista para contarnos su... read
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July 15, 2021 - by Reckoning
Overall
Rating: 4
Story: 3 Visuals: 8 Sound: 6 Character: 3 Enjoyment: 2
This movie has little to say, and takes all the time in the world to get it's points across. It doesn't give a hoot about your time. It doesn't do subtle. It's on the nose all of the time, much like the title of this review. read moreWas this review helpful to you?
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Some day, I'll wonder why I ever liked this film. I perfectly understand the negative reviews, saying that it is superficial, lazy writing, with a style-above-substance-approach. I agree, but it's not like you get to see models puking out eyeballs every day. Not something I want to rewatch anytime soon, but the sheer shock and amusement I experienced while watching this in the theatre counts for something. read
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interesting to look at but the least interesting refn film i've seen. read
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boy where do i start. my sanity level drained heavily after watching this so this'll be brief. the neon demon makes a bold statement on the industry and it does so in a very uncomfortable and awkward way. i certainly feel like many scenes in this film are rather drawn out to their detriment but they're effective in setting the tone of unease and making you feel this total lack of control. cinematography wise this film is some serious eye candy, there's a plethora of sequences where i was just lost in my screen practically going into epileptic shock. elle fanning was super awkward and weird... read
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i'm a massive fan of danish director nicolas winding refn's work. drive is one of my absolute favorite movies, and bronson is completely fantastic. i've seen most of his stuff, including valhalla rising, only god forgives and a couple of the pusher movies. even when i strongly dislike one of his movies (i.e. only god forgives) it's still an interesting experience and one worth discussing with other movie nerds. i feel like this is where the neon demon is at. it's never more than the sum of it's parts, but holy hell what parts it has. the one aspect of refn's films that never fails to grab me... read
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this is the most "a man wrote this" film i have ever seen. guillotine. read
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how many blonde women do you want in the movie? nwr: yes read
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film 3 of obligatory october of horror ii jumpscare counter: 1 this feels like the culmination of modern refn. visually stunning, solid atmosphere, kind of pretentious, very lacking in story. i found that okay with only god forgives but this time it just left me entirely cold. it's one of those cases where the ending happened and i just sat here going "oh. alright." which is generally a bad sign. still, it's well-made from a technical standpoint and i enjoyed its vibe but as a whole it just didn't quite work for me. read
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und der zweite nicolas winding-refn film für heute...diesen kannte ich jedoch noch nicht. atmosphärisch ist hier alles wieder mal tiptop. tolle farben & bilder, gutes sounddesign...lediglich inhaltlich hab ich gerne ein bisschen mehr. read
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I don't know how I feel about this film ultimately. I was wanting to see it for some time but it was not what I originally expected it to be.
It's an immensely artsy film. With some absolutely gorgeous scenes that can take your breath away. The soundtrack is a fantastic partner to that.
But where this films fails is its nearly unbearable slow burn. The build up was to big for a mediocre finale. It was just lacking. They could've cut it by a bunch and it might not have left me feeling so discontent.
Whereas I did enjoy the film and all it's beauty, it was just lacking so much story. It... read
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A 16-years-old model effortlessly charms her way onto the L.A. fashion scene and learns what's it like to be the new flavor of the month in the hardest (and most literal) way. Ostensibly concerned with the dangers of beauty worship, Refn is actually so intent on following his own aesthetic obsessions that any story twist or character development must bow down before its lurid imagery. With visual coherence overcoming any narrative consistency, "The Neon Demon" stifles the shocking power of its most extreme provocations: instead, it pursues its death wish through a meticulously staged slide... read
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My quick rating - 5;1/10. Highly rated movie on IMDb that deserves kudos for all the technical stuff that goes into making a film. Excellent camera work; lighting; etc. All the good stuff you take out of film school; and then usually lose when you make it to Hollywood. As of yet; the is something that has not happened to Nicolas Winding Refn quite yet. Although I would like to see a quality story to go with it. In what is not a horror movie in the slightest we have a girl caught up in the grown ups world of being a starlet. This overcomes her and leads her down a bizarre trip where she loses... read
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I'm a big fan of director Nicolas Winding Refn but this one is definitely not his best. It was interesting that to some part this would be a true indication of what happens to girls trying to get into the fashion industry. What is different in this is the horror aspect which involves necrophilia, cannibalism and other sordid acts its pretty rough on most moviegoers. As a visual piece its great and Elle Fanning is also good as the main character. Definitely not for everyone. read
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November 28, 2023 - by Stephen Kielback
Whoa, did Gigi swallow that eyeball whole? It wasn't chewed up at all! read
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i mean the end credit song was good, rest was weird. read
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kinda traumatized but elle fanning is in it so its ok read
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