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Happiness
1965
Vagabond
1985
Vivre Sa Vie
1962
Jules and Jim
1962
Breathless
1960
Hiroshima Mon Amour
1959
The Umbrellas of Cherbourg
1964
Faces Places
2017
La Pointe Courte
1956
The Beaches of Agnès
2008
The Gleaners and I
2000
The Creatures
1966
Happiness(Movie)Vagabond(Movie)Vivre Sa Vie(Movie)Jules and Jim(Movie)Breathless(Movie)Hiroshima Mon Amour(Movie)The Umbrellas of Cherbourg(Movie)Faces Places(Movie)La Pointe Courte(Movie)The Beaches of Agnès(Movie)The Gleaners and I(Movie)The Creatures(Movie)
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7.5 cleo de 5 a 7 nauvelle vague. dos horas en la vida de cleo en "tiempo real". esta se la ha tenido que ver richard linklater. también fue remakeada/homenajeada en here and now. read
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0.幸福不能仰仗未知,而必须是源自觉醒。1.l'amour de 5 à 7是一个法语谚语,指的是会见情人的时间(5点到7点是在工作后和回家前的一段时间)。 read
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تقدم لنا أغني ڤاردا تجربة بصرية ساحرة في هذا الفلم. نرى في الفلم الشخصية الرئيسة كليو (كورين مارشان)، وهي مغنية نرجسية ثرية بشهرة بسيطة، تتنقل بين متاجر ومقاهي باريس في الستينات الميلادية بهاجس لا تستطيع التخلص منه. ويعالح الفلم -في رأيي- نمط الحياة المادي الذي تتجلى فيه السطحية والاستهلاكية، منتِجًا فراغًا روحيًا لا ينجلي. فرغم هاجس كليو الشاغل، إلا أنها تهتم بتفاصيل مظهرها ورأي الناس عنها، ومع أن حياتها رائعة -ظاهريًا- وتمتلك كل ما تتمناه امرأة فرنسية أنذاك، إلا أنها تشعر بالنقص والخواء. إذا أردت معرفة باريس في حقبة الستينات بأماكنها وشوارعها وثقافتها وناسها بتنوعهم فسترى ما يرضيك وأكثر في... read
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"i think my fear is gone, i think i'm happy now" probably my least favorite agnes varda film so far, and that's saying alot because i still really enjoyed this film. the uniqueness this radiates is beautiful (that being it all taking place within it's 90 minute runtime (5-6:30)). i just had a hard time connecting with the characters. read
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Agnes Vardas Cléo from 5 to 7, the first fully-achieved feature by the woman who would become the premiere female director of her generation, dazzled when it opened, and looks even more timely today in its tackling of the fashionable subject of female identity as a function of how women see and are seen by the world. Its appearance in 1962 signaled Vardas participation in the collective burst of talent that made the early sixties one of the most exciting and creative periods the cinema has ever known. All the rejuvenating forces of French cinema were coalescing in a rapidfire succession of... read
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