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Recommendations
![]() Rio Bravo
1959
![]() The Searchers
1956
![]() High Noon
1952
![]() Bring Me the Head of Alfredo Garcia
1974
![]() The Man Who Shot Liberty Valance
1962
![]() The Getaway
1972
![]() Straw Dogs
1971
![]() Butch Cassidy and the Sundance Kid
1969
![]() The Magnificent Seven
1960
![]() The Outlaw Josey Wales
1976
![]() Bonnie and Clyde
1967
![]() Bullitt
1968
Rio Bravo(Movie), The Searchers(Movie), High Noon(Movie), Bring Me the Head of Alfredo Garcia(Movie), The Man Who Shot Liberty Valance(Movie), The Getaway(Movie), Straw Dogs(Movie), Butch Cassidy and the Sundance Kid(Movie), The Magnificent Seven(Movie), The Outlaw Josey Wales(Movie), Bonnie and Clyde(Movie), Bullitt(Movie)
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*The Original Director's Cut* This film grew on me the entire time it was on. I knew I liked it from the get go, but there is just so much packed in, so many great locations, gun fights, chases, robberies, plans gone bad, etc that it's hard for me to find a whole lot of fault with it. This was rockin a solid 4 and then I got hit with that final action sequence and it sent it over the edge. The kind of action that Tarantino and Robert Rodriguez try to emulate, just seemed ahead of it's time for 1969. This is the first movie I have seen with William Holden, although looking at his read
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Review by Pauline Kael | The New Yorker Its a traumatic poem of violence, with imagery as ambivalent as Goyas. By a supreme burst of filmmaking energy, Sam Peckinpah is able to convert chaotic romanticism into exaltation; the film is perched right on the edge of incoherence, yet its comparable in scale and sheer poetic force to Kurosawas “The Seven Samurai.” The movie, set in 1913, is about a band of killers who flee Texas for Mexico, and Peckinpah has very intricate, contradictory feelings about them. He got so wound up in the aesthetics of violence that what had begun as a realistic... read
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8.8 grupo salvaje una obra magna y cumbre del género western. peckinpah aporta una gran dosis de violencia deleitándose en ella tratándola como arte. read
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