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Recommendations
The Human Condition II: Road to Eternity
1959
The Human Condition I: No Greater Love
1959
Samurai Rebellion
1967
The Empty Table
1985
Tokyo Trial
1983
Harakiri
1962
Kwaidan
1965
Woman in the Dunes
1964
Sansho the Bailiff
1954
Red Beard
1965
Le Trou
1960
Belphégor
1927
The Human Condition II: Road to Eternity(Movie), The Human Condition I: No Greater Love(Movie), Samurai Rebellion(Movie), The Empty Table(Movie), Tokyo Trial(Movie), Harakiri(Movie), Kwaidan(Movie), Woman in the Dunes(Movie), Sansho the Bailiff(Movie), Red Beard(Movie), Le Trou(Movie), Belphégor(Movie)
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devastating. the last 10 to 15 minutes of this trilogy might be some of the most crushing moments in film history. this series of films breaks and wears you down like few other films can and leaves you with just raw emotion by the end of it. and, while some of the material in this one borders on manipulative territory on paper, it never really feels like that while watching it. it spends the previous 6 hours earning those moments through really solid dialogue, characterization, and pacing. as far as i'm concerned, it continues earning it through the last three hours of the series. this series... read
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原先好不容易保住的对于人性的忠贞,就这样被战争的巨大力场扭曲掉了——人的是非观并未失去,只是是非的标准变得模糊而荒谬,于是,人之所以为人的基础等于被生生剥夺。影片主题由道德的上升为存在的。/有点像库布里克的《恐惧与欲望》 read
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تقوم ثلاثية الحالة الإنسانية العظيمة لكوباياشي على التناقضات الأخلاقية التي يواجهها الإنسان مكرهًا في ظل نظام مفروض أو من أجل النجاة، وهي هنا بلباس "الوطنية". يكمن التناقض في مُثُل كاجي ( الشخصية الرئيسة) ومبادئه مقابل تطبيقها في الواقع، أمن المفترض أن يداهن ويحاول الإصلاح من الداخل؟ أم يتطرف في إيمانه بمبادئه فيرفض المسايسة في كل ما هو ضد مبادئه؟ ذكرني التساؤل المطروح هذا مباشرةً بفلم محاكمة نورنمبرغ، نفس التساؤل مع مراعاة بعض اختلافات الحالة. فالسؤال الحقيقي مجردًا: أمن المفترض أن يضحي الشخص بنفسه فيتأثر بذلك أقرب الناس إليه في سبيل مبدأ أو قضية يؤمن بها؟ أم أن المسألة توضع في ميزان النسبية... read
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The best finale in a trilogy, (excluding Come and See) probably the most devastating war film ever. Death has never felt so meaningless.
Can you believe a crew of around 4-5 people made this. It shits on most war film with their high number of crew members. Not only that it so refreshing to see a war film actively condemning war from every side, stark contrast compared to the states.
It's so raw and dirty, all the terrain heat or snow is real. It's gorgeous to look at. Kaji is one of the best protagonist ever. He is the human spirit in it's highest form possible. Tatsuya Nakadai is the read
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When people think of anti-war films titles such as Platoon, All Quiet on the Western Front and Schindler's List almost immediately come to mind; such films have defined the genre in American culture. However very few directors have provided the perspective from the axis point of view, and fewer still were able to do so in a way that humanizes all countries, not just the protagonist's. Masaki Kobayashi, who is most well known for his samurai pictures such as Seppuku and Samurai Rebellion is able to form such a film, without even a hint of pretentiousness.
The series of films spans nearly ten... read
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