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![]() Europe '51
1952
![]() Stromboli
1950
![]() Germany, Year Zero
1948
![]() Paisan
1946
![]() Rome, Open City
1945
![]() Fear
1954
![]() Only One Night
1939
![]() Umberto D.
1952
![]() The Earrings of Madame de...
1953
![]() L'Atalante
1934
![]() Joan of Arc at the Stake
1954
![]() L'amore
1948
Europe '51(Movie), Stromboli(Movie), Germany, Year Zero(Movie), Paisan(Movie), Rome, Open City(Movie), Fear(Movie), Only One Night(Movie), Umberto D.(Movie), The Earrings of Madame de...(Movie), L'Atalante(Movie), Joan of Arc at the Stake(Movie), L'amore(Movie)
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Journey to Italy: Fun Couples By Paul Thomas ESSAYS — SEP 26, 2013 Geoffrey Nowell-Smith once characterized Luchino Viscontis career as sweeping “in a wide arc round the area generally known as neorealism,” at times approaching but never quite touching that idealized form. Much the same could be said of many other so-called Italian neorealists—and, for that matter, of Jean Renoir too, although Renoir was no Italian; the film that set the tone for neorealism, Renoirs Toni, was made in France in 1934. Italian directors, in what was a minor national industry for a while, became adept at... read
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