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Marrowbone
2017
Morgan
2016
Ingrid Goes West
2017
Me and Earl and the Dying Girl
2015
The Miniaturist
2017
0/2 Emma.
2020
Shiva Baby
2020
We Don't Belong Here
2017
Porto
2016
Court of Conscience
2015
Kiss Kiss Fingerbang
2015
The Driftless Area
2015
Marrowbone(Movie)Morgan(Movie)Ingrid Goes West(Movie)Me and Earl and the Dying Girl(Movie)The Miniaturist(Anime)Emma.(Movie)Shiva Baby(Movie)We Don't Belong Here(Movie)Porto(Movie)Court of Conscience(Movie)Kiss Kiss Fingerbang(Movie)The Driftless Area(Movie)
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May 05, 2018 - by Malik Vallo
strangely vapid, fashionably murderous, and somewhat aimless, but seeing anton one last time is worth any cost of admission. read
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понимаю и сочувствую всем, кому не понравилось. это действительно выпендрежный, как это часто бывает с дебютами, фильм (ничем не оправданное деление на главки; все эти мизансценки, выполненные в стилистике «мама, посмотри, как я умею). мне, впрочем, предсказуемо вкатило, вероятно, потому, что нежно люблю и «heavenly creatures», и прозу Истона Эллиса, чью интонацию автор тут мастерки воспроизводит. диалоги - прям лучшее, что слышал в этом году («you cannot hesitate. the only thing worse than being incompetent, or being unkind, or being evil, is being indecisive»). ну и вообще это мой любимый... read
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2018 catch-up 23/ this film is the best example of suffering from genre dysphoria in the most wonderful way. it pulls of comedy-drama-crime-suspense in an engaging manner that still manages to be well-balanced. anya taylor-joy and olivia cooke win girl power duo of 2018. what excellent "chemistry." anton stole the show for me though. also, great score! there's a couple of attempts at "this is badass," moments that were not badass. there's a song at the beginning of the film that sounds an awful lot like one in krisha, so that was distracting. this is a debut film? watch out for cory finley... read
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great performances and mise en scene but suffers from a weak third act. read
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olivia cooke is going to go on to big things. my only complaint is the score, it didn't really match the feel of the rest of the film. there were a couple times that they went with the "get out" style string music when that wasn't what was needed there. read
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В словаре напротив слова пустота должна быть ссылка на этот фильм. read
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i had really high hopes for thoroughbreds, and now having seen it, i'm not even sure how i feel. for starters, it's very well made. the score is fantastic with little off-kilter bits that threw me for a while at first, but i came to appreciate it a lot by the end. i love the cinematography and sound design. both compliment each other in interesting and stunning ways. thoroughbreds is a triumph in all those ways. perhaps most importantly though, is the two leads. olivia cooke and anna taylor-joy are superb. cooke is haunting and taylor-joy is perhaps even moreso. yet, despite the promising read
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the movie that made me officially fall in love with anya taylor-joy read
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I bet Amanda never felt stressed one day in her life and god I wish that was me read
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After years of growing apart two girls rekindle their friendship resulting in a bit of foul play. The two leads are played by Olivia Cooke and Anya Taylor-Joy ably supported by Paul Sparks as an obnoxious stepfather and in one of his final films Anton Yelchin. The acting is good overall but I wouldn't class this as comedy even black comedy. read
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Anya Taylor-Joy is now ready for Yorgos Lanthimos after Split, The Witch, and now Thoroughbreds.
The movie feels like how Olivia Cooke feels in the movie. Meh. But certainly it's not indecisive, because the only thing worse than being unkind, evil, or incompetent is being indecisive.
A bit saturated with horses this month with Lean On Pete, The Tale, and this one. read
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I watched this movie while half awake and can't remember which bits were real and which bits I was dreaming. This whole movie felt like a bit of a fever dream but I liked it read
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