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The Master
2012
We Need to Talk About Kevin
2011
The Sisters Brothers
2018
Brigitte
2019
Ratcatcher
1999
Inherent Vice
2014
Good Time
2017
Don't Worry, He Won't Get Far on Foot
2018
I'm Still Here
2010
Walk the Line
2005
Morvern Callar
2002
Blue Ruin
2013
The Master(Movie)We Need to Talk About Kevin(Movie)The Sisters Brothers(Movie)Brigitte(Movie)Ratcatcher(Movie)Inherent Vice(Movie)Good Time(Movie)Don't Worry, He Won't Get Far on Foot(Movie)I'm Still Here(Movie)Walk the Line(Movie)Morvern Callar(Movie)Blue Ruin(Movie)
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drive was better. but this is good watch. the acting and cinamatogrophy and the way the movie is handled by the taxi drive genre is entertaining. the way the movie become minimum in dialogue . the way it doesn't show voilance specifically and shows the human faces ande motions. read
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May 05, 2018 - by Malik Vallo
the only way violence should be portrayed. read
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this is one of the most oddly crafted films i've seen in recent memory. i mean that in the most positive sense possible. joaquin phoenix delivers yet another fantastic performance here. he displays a nuanced range of emotions perfectly, while also demonstrating that his character, joe, is capable of doing anything at any time, and pheonix can easily switch cylinders and become absolutely terrifying. this is my introduction to lynne ramsey and her direction here was spectacular. she uses the camera extremely well, using long tracking shots following pheonix and keeping the camera always read
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i think i was misled by what this movie would be about. i need to give it a second watch knowing what to expect in order to have clearer thoughts. i liked it though i agree with this review a lot. read
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why the fuck didnt i see this in theaters?????????? read
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its so hard to imagine that a loving, kind and shy person (her) is the same actor playing in this barbaric and explicit movie. joaquin phoenix is giving an award winning acting role. jeeeez. so good man. read
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looks like taxi driver and drive spent the night together, and then born this film. read
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2018 catch-up 17/ the score by jonny greenwood fucking rules. probably one of the best of 2018. so diverse and energetic. joaquin's acting + the cinematography gave the film such a dreamy feel. the child actress did great as well. lynne ramsay's screenplay is near silent characters, but her direction makes up for it with her visual storytelling. very reminiscent of drive without copying it. from the style of acting and directing, the score, and the cinematography. but more artsy! taxi driver and drive's love-child read
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joaquin phoenix plays joe, a damaged man who's job is to find kidnapped girls. while looking for the daughter of a senator, he stumbles onto a bigger conspiracy. there were a lot of things lynne ramsey did well with this film. there were a lot of great shots that i loved and she did a fantastic job of describing the character of joe without dialogue. the subtle expressions from joaquin phoenix told us everything we needed to know about that character without ever turning to clunky exposition. it essentially is a one-man show for phoenix and he really steps up an does a fantastic job playing... read
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yet another film where someone gets head-butted in the face. read
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7 en realidad, nunca estuviste aquí taxi driver mucho mas crudo. una peli esquizofrenica para mentes muy preparadas. read
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looks like taxi driver and drive spent the night together, and then born this film. read
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everyone loved this, but as far as i could tell, it was mostly just an inverted liam neeson movie with bad editing. read
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really enjoyed it. very intense and very tight perspective, really good. read
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so, you're telling me this has nothing to do with i am still here? what? i really liked it, though not as much as some people. it was a bit too abstract for me, so the visceral moments rarely landed with the intended power. the overall story was understandable, but it lost me in the moment to moment shuffle. joaquin plays a vet who lives with his mom and rescues people for a living. it's played as low key and as paranoid as possible. overall, the seemed like a series of joe's emotional breakdowns, loosely connected by art house™ violence, some smash cut flashbacks, and a few surreal... read
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is this a joker prequel or is it just another joaquin pheonix film where he lives with his mom read
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this left me feeling very odd....in a good way somehow also i can definitely see my rating going up in the future for this read
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what sold this movie: shots of joaquin phoenix f'kn up pedophiles with a hammer. what there is about 10 seconds of in this movie: joaquin phoenix f'kn up pedophiles with a hammer. i would love to go to a museum and watch director lynne ramsey team with cinematographer tom townend to present some slickly-shot scenes of people moping around landscapes. what i'm not particularly interested in is seeing ramsey attempt to tell a story. that is clearly not her interest. there is a novel here that this film draws from. the novel apparently makes a fair bit of sense, despite embracing the illuminati... read
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fuck, every time i watch another joaquin phoenix movie post joker, the less i think he was great in joker, and the more i wonder why his other movies like this werent as successful. this movie definitely is better than taken for me, though only being connected in a few ways. just watch this movie, its good. read
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i positively hate this film. lynne ramsays showy, smug, ostentatious direction is irritating as it is, but whats worse is that the film moves at a snails pace (nothing happens in the first fifteen minutes, for instance) so as to leave nothing at hand but that irksome direction, which is fucking infuriating. the film reminded me of what i hated about ramsays previous we need to talk about kevin, even that tomato sequence i had entirely forgotten about. i dont remember much of that film, but this film feels like that tomato sequence all the way through, and this doesnt even have tilda swinton... read
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sotahommissa traumoja saanut karvanaama kärsii. henkisesti. helvetisti. välillä jätkä laahustaa pimeessä, vetää pedofiilejä daijuun ja pelastaa alaikäisiä tyttöjä näiden vittupäiden kynsistä. ahdistava, väkivaltainen ja snadisti miälenvikainen synkkä kuvaus, jossa trippaillaan jossain todellisuuden ja harhojen rajamailla. mel gibsonilta näyttävä joaquin phoenix vetää hyvin. leffa kuitenkin hennon tanniininen ja ripauksellisen taiteellinen. read
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on paper, this seems like something made for me. a mix of violent and introspective. bloody, unpleasant, bleak, melancholic. and yet, i didn't connect with it at all. i don't know if it's the film's fault or mine but none of it did anything for me. i'm in a good mood today; maybe this would have worked better on a bad mood day. no idea. still decently entertaining and if you like that description in the first paragraph go watch it i guess. read
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der film fühlt sich an wie eine mischung aus taken und drive mit einer kleinen preise leon der profi... einer guten mischung aus den genannten wohlgemerkt! und ganz nebenbei mausert sich joaquin phoenix mehr und mehr zu einem meiner absoluten lieblingsschauspielern. read
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A PTSD-ridden war vet turned professional assassin is hired to rescue a Senator's young daughter from a sex racket but he hasn't been told the entire truth. Director-writer Lynne Ramsay adapts Jonathan Ames's novel in a compelling noir sticking close to its damaged protagonist (Phoenix) as his personal demons fester in the Paul Schraderian urban hell he delves into. While most gruesome acts take place off-screen (even elegantly so, as in the security-cameras-only brothel attack sequence) "You Were Never Really Here" doesn't shy away from graphic brutality, but Ramsay and Phoenix focus so much... read
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For an action film, there really isn't much action here. Most of the killing is done off camera, and there are only a few occasions of gore. But even with lacking the typical action film qualities, You Were Never Really Here is an intense movie. As this is mainly due to the editing with utilizes jump-cuts to create tension. The editing mainly stuck out to me in the scene where Joe enters the headquarters of the sex trafficking ring. The whole scene is shot from the point of view of CCTV cameras, and because of this, as Joe walks from room to room, you never know what will be behind the next... read
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I really don't quite understand what this is quite all about. I know Joaquin Phoenix plays an Ex Army Vet who tracks missing girls down but between that and a lot of hallucinatory moments I was totally confused as to what was real and what wasn't, especially at the end. People who have seen it will know what I mean. Joaquin's performance is pretty good though and it did look like he put a lot of effort into the role. Not too long but felt like it read
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We need to talk about Joe.
Joe the unprofessional. read
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视听超赞;《出租车司机》系电影是这辈子不会看腻的类型;不管是《大师》还是后来的《小丑》,华金都是一个路子,而且演技都是精彩绝伦。不同的是这次的张弛有度,戛纳最佳男主实至名归;重新解构《Psycho》、《Big Fish》和《Léon》 read
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*not that much but still a good movie and have a style. read
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I liked the editing and how the film was shot. Sadly, I could not get into the story. read
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