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i seldom like whiny neurotic meg ryan movies, but this one is refreshingly different. the disconnect between her injured wife & violent torturer psyches is funny, as is her husband's responses. kudos, methinks, to adrienne shelly, the posthumous writer of this movie. she was setting trends in a noveau thinking (and more mature) woman's chickflick genre, and it's sad to know her life was so brutally snatched from her in a similar situation as depicted in this film. ryan also deserves a nod for being able to act so convincingly after her broken long marriage with quaid.
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