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Observations on Film Art - S01E32 - Withholding and Revealing in AN ANGEL AT MY TABLE
 

Observations on Film Art season 1 episode 32

Withholding and Revealing in AN ANGEL AT MY TABLE

 
Jane Campion came to international attention with her acclaimed sophomore feature An Angel at My Table, a luminous adaptation of the memoirs of Janet Frame, tracing her journey from her childhood in New Zealand to her time in a mental hospital to her emergence as a renowned writer. In this episode of Observations on Film Art, Professor Kristin Thompson explores how Campion uses a strategy of concealment and carefully orchestrated reveals to create curiosity, tension, and surprise and to immerse the viewer in Frame’s unique subjectivity.
 
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Observations on Film Art / S01E32 : Withholding and Revealing in AN ANGEL AT MY TABLE
Season 1, Episode 32 | Aired on October 28, 2019 | 15 min.
Mark as watched
 
 
 
EPISODES  
 
  • Observations on Film Art - Episode 1 - Musical Motifs in FOREIGN CORRESPONDENT
    Episode 1
    Musical Motifs in FOREIGN CORRESPONDENT
  • Observations on Film Art - Episode 2 - Quicker Than the Eye: Editing in SANSHIRO SUGATA
    Episode 2
    Quicker Than the Eye: Editing in SANSHIRO SUGATA
  • Observations on Film Art - Episode 3 - Abbas Kiarostami: The Character of Landscape, the Landscape of...
    Episode 3
    Abbas Kiarostami: The Character of Landscape, the Landscape of...
  • Observations on Film Art - Episode 4 - The Restraint of L’AVVENTURA
    Episode 4
    The Restraint of L’AVVENTURA
  • Observations on Film Art - Episode 5 - THE SPIRIT OF THE BEEHIVE: A Child’s Point of View
    Episode 5
    THE SPIRIT OF THE BEEHIVE: A Child’s Point of View
  • Observations on Film Art - Episode 6 - Camera Movement in THREE COLORS: RED
    Episode 6
    Camera Movement in THREE COLORS: RED
  • Observations on Film Art - Episode 7 - Staging in THE RULES OF THE GAME
    Episode 7
    Staging in THE RULES OF THE GAME
  • Observations on Film Art - Episode 8 - Offscreen Sound in LA CÉRÉMONIE
    Episode 8
    Offscreen Sound in LA CÉRÉMONIE
  • Observations on Film Art - Episode 9 - Chaplin’s Comedy of Murders
    Episode 9
    Chaplin’s Comedy of Murders
  • Observations on Film Art - Episode 10 - The Stripped-Down Style of ALI: FEAR EATS THE SOUL
    Episode 10
    The Stripped-Down Style of ALI: FEAR EATS THE SOUL
  • Observations on Film Art - Episode 11 - Mastering a New Medium: Sound in M
    Episode 11
    Mastering a New Medium: Sound in M
  • Observations on Film Art - Episode 12 - BRUTE FORCE: The Actor’s Toolkit
    Episode 12
    BRUTE FORCE: The Actor’s Toolkit
  • Observations on Film Art - Episode 13 - Flashbacks in THE PHANTOM CARRIAGE
    Episode 13
    Flashbacks in THE PHANTOM CARRIAGE
  • Observations on Film Art - Episode 14 - GIRL SHY: Harold Lloyd Meets Classical Hollywood
    Episode 14
    GIRL SHY: Harold Lloyd Meets Classical Hollywood
  • Observations on Film Art - Episode 15 - Genre Play in THE PLAYER
    Episode 15
    Genre Play in THE PLAYER
  • Observations on Film Art - Episode 16 - The Darkness of War in WOODEN CROSSES
    Episode 16
    The Darkness of War in WOODEN CROSSES
  • Observations on Film Art - Episode 17 - Narrative Symmetry in CHUNGKING EXPRESS
    Episode 17
    Narrative Symmetry in CHUNGKING EXPRESS
  • Observations on Film Art - Episode 18 - Staging and Performance in IVAN THE TERRIBLE, PART 2
    Episode 18
    Staging and Performance in IVAN THE TERRIBLE, PART 2
  • Observations on Film Art - Episode 19 - Color Motifs in BLACK NARCISSUS
    Episode 19
    Color Motifs in BLACK NARCISSUS
  • Observations on Film Art - Episode 20 - Continuity Editing in THE DEVIL AND DANIEL WEBSTER
    Episode 20
    Continuity Editing in THE DEVIL AND DANIEL WEBSTER
  • Observations on Film Art - Episode 21 - The Restless Cinematography of BREAKING THE WAVES
    Episode 21
    The Restless Cinematography of BREAKING THE WAVES
  • Observations on Film Art - Episode 22 - Dissolves in THE LONG DAY CLOSES
    Episode 22
    Dissolves in THE LONG DAY CLOSES
  • Observations on Film Art - Episode 23 - Mutations of Memory: Editing in HIROSHIMA MON AMOUR
    Episode 23
    Mutations of Memory: Editing in HIROSHIMA MON AMOUR
  • Observations on Film Art - Episode 24 - Widescreen Composition in SHOOT THE PIANO PLAYER
    Episode 24
    Widescreen Composition in SHOOT THE PIANO PLAYER
  • Observations on Film Art - Episode 25 - LYDIA and the Power of Flashbacks
    Episode 25
    LYDIA and the Power of Flashbacks
  • Observations on Film Art - Episode 26 - The Revolutionary Subjectivity of MEMORIES OF UNDERDEVELOPMENT
    Episode 26
    The Revolutionary Subjectivity of MEMORIES OF UNDERDEVELOPMENT
  • Observations on Film Art - Episode 27 - Games of Vision in STREET OF SHAME
    Episode 27
    Games of Vision in STREET OF SHAME
  • Observations on Film Art - Episode 28 - Spontaneous Play in PARADE
    Episode 28
    Spontaneous Play in PARADE
  • Observations on Film Art - Episode 29 - Plotting in VAGABOND
    Episode 29
    Plotting in VAGABOND
  • Observations on Film Art - Episode 30 - The Long Take in SHOCK CORRIDOR
    Episode 30
    The Long Take in SHOCK CORRIDOR
  • Observations on Film Art - Episode 31 - Comedy, Suspense, and Three-point Lighting in TO BE OR NOT TO...
    Episode 31
    Comedy, Suspense, and Three-point Lighting in TO BE OR NOT TO...
  • Observations on Film Art - Episode 32 - Withholding and Revealing in AN ANGEL AT MY TABLE
    Episode 32
    Withholding and Revealing in AN ANGEL AT MY TABLE
 
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